Interviews

Interview with Arianne Foulks of Aeolidia

Saturday, August 28, 2010

by Jessika Hepburn, O Happy Day Handmade

This month I am excited to offer readers an interview with monthly contributor, Arianne Foulks of Aeolidia, a successful design company known for its uniquely artistic and beautiful designs. In this interview Arianne gives readers an inside look at handmade design, the Aeolidia team and their design process.

1.Can you please share a bit about the beginnings of Aeolidia and how the Aeolidia team came together?

I started creating websites for myself and friends just for fun when I was in college (in 1997 – and yes, I had a Geocities page!). I kept up this hobby, slowly starting to charge a bit for my work, until I was laid off from my customer support / project management job and found myself with time to really work on my skills and take on more projects.

Shoshanna, my best friend from college, had moved up to Seattle, and was also doing freelance web work, so we decided to combine forces and work together. A few years later, my husband, Chris, decided he wanted the flexibility and freedom of working for himself, so we spent about a year getting him up to speed (he was already savvy at making websites, but hadn’t worked with ecommerce before, and wanted to improve his CSS skills).

We started working with a third designer, Lauren, and that has been perfect for us! Chris doesn’t do site design, so before we had Lauren, Chris was often waiting for me to finish up design work so he would have some work to do. Now with both me and Lauren designing sites, Chris always has plenty to do.

2. Aeolidia is best known for its creative merging of art and web design to create beautiful, unique designs for small businesses, what inspired you to develop the Aeolidia style?

This hasn’t been a conscious decision, but is just the way our design style evolved. We start most of our site designs based on custom illustrations from our team of illustrators, and our illustrators have a cute but quirky aesthetic.

We usually work with somewhat cute and quirky crafters/designers as clients, so it all works out!

If we need a less-cute, more-professional type site design, I nearly always give these to Shoshanna, because she comes from a background of doing more mainstream sites, and I’m just awful at them. If I don’t like it myself, I can’t design it.


3. Aeolidia works with some amazing illustrators, can you tell us a bit about their designs and how they came to work with Aeolidia?

I am good at putting the elements together to create a site design, but not so good at drawing things from scratch. Sometimes our clients have a very specific idea of what they want, and hunting for stock illustrations wasn’t very satisfying.

Early on, I knew of a handful of illustrators that I admired, and I wrote to them all, asking if they’d like to work with me. I wasn’t expecting much of a reply, but I had a lot of interest, and we set them up. I’ve been working with some of them for five years now!

Since then, I’ve contacted an illustrator or two when they look just perfect for us, and I’ve had people contact me, though I’ve been strict about only working with people that I think fit our style.

4. A large portion of your clients are involved in the handmade industry, obviously attracted by the handmade style of your designs, do you prefer working with small businesses/artists, why?

Yes, absolutely! I love working with like-minded people, for many reasons. We tend to get along and have a fun time working on the project together. Small businesses are more understanding of other small businesses, so they tend to pay their bills on time, try to make our job easy, and understand if something comes up on our end to slow us down a bit.

I’ve been approached by larger businesses/companies before, and when they start talking conference calls, non-disclosure agreements, and in-person meetings, I know it’s not a good project for us. The Aeolidia team all left our office jobs for a reason! We enjoy working one on one with the business owner and keeping things personal.

5. What are the benefits to having an artist illustrated or handmade aesthetic for websites and logo design?

For one, if you hire an illustrator, you aren’t going to see your illustration on any other website, sign, or brochure – it will be immediately recognizable to your customers as yours, which you don’t get if you purchase stock art.

I don’t think illustration is beneficial to every type of site (and in fact, we do many sites with no illustration work), but it’s perfect for certain sites. We do a lot of websites that sell children’s and baby products, and it’s nice to have something cute and cuddly or fun in the site design. We also work with a lot of artists and creative people, and a pretty illustration can tell customers that the site has something unique and creative to offer. It’s also nice to give a bit of a handmade feel to sites for handcrafted items.

6. Can you give us an example of the process you would go through with a new client looking for a web design and business branding with custom illustrations?

We have worked with hundreds of clients, and we refine and improve our process with just about every one. We’ve learned that it’s important to ask the right questions at the start so you can capture the client’s vision with the design.

If the client wants to do the entire project with us, we always start with the logo, so everything else will complement it. We have a bunch of questions we ask about the business, the target customer, and the client’s preferences. From there, we work on illustration and design, with lots of back and forth with the client to be sure we’re making something they’ll be proud of in the end.

When the design work is done, we then get it working with the website software, and guide the client through the process of setting up their site and adding their content. We know it’s useless to have a beautiful site if you aren’t able to update it, so we make sure to be there through the client’s process of working with the site. We provide tutorials, examples, and are always available to answer questions or make adjustments to how the site works/looks.

When everything is looking shipshape and ready to go, we do extensive testing of the technical aspects, while providing instruction for the client to test out the customer’s experience (payment, shipping, tax, contact forms, etc.). This way, they know exactly how their site works for their customer, and can suggest changes. Then we put the site live! It’s nice to pair this with Jena’s marketing consultation, so word will get out about the new site quickly.


7. Aeolidia has a number of team members, how do you collaborate with each other, do you work from a shared office or mainly via email?

We all work independently, with me scheduling and setting up projects, and Chris managing our billing and paperwork. Chris and I usually work from the same room, so we collaborate on projects. Shoshanna is in town, and we are in touch via instant messenger all day long.

For our out of town contractors, we stay in touch with them the same way we do our clients: we manage all of our projects through Basecamp, a online project management program that tracks to-dos and deadlines, and lets you post messages and upload files. I think most of us do the type of work we do because we hate the structure of a regular office/business setup, so I make sure to work with people who don’t really need any managing, and just let them do their own thing.

8. Do you have any design suggestions to give handmade businesses on choosing the right design/designer?

I would be sure first to look at some example sites they created very carefully. Is there anything confusing about the site, or do you see any problems with it? Is the design thoughtful throughout, or can you tell that it’s just a header graphic and background slapped onto a stock template? Is it easy to shop?

I would also check references. Start with the testimonials page, but don’t hesitate to contact any of their past clients to ask how the project went.

All of your communications with the designer before you make payment should go smoothly. If she/he is slow to respond, rude, or confusing, they likely will remain that way throughout your project.

A good business person will send you a contract and make it clear how/when you will make payment as well. Find out what’s expected of you during the project, and how much/what type of help you’ll get learning to manage your own site.

9. How do you market and promote Aeolidia? How has your promotional strategy changed (or has it) over the years?

I got very lucky at first, by designing a pretty high-profile site in the crafting world, so word got out about Aeolidia. We put our little “site by Aeolidia” link in the footer of each site we do, and new business has almost entirely been by word of mouth – either people seeing the link, or our past clients spreading the word (personally, or on their blogs/Twitter/etc.).

We had a brief period when people were worried about the economy when things slowed down, but mostly we get more demand than we have supply. When we redesigned the Aeolidia site early this year, I also started Facebook and Twitter accounts, which have definitely increased traffic to the site, and we see a lot of Oh My! visitors as well.

Sometimes I come up with marketing ideas, but usually don’t try them, because I’m worried about the flurry of work requests that will come! We have spent about six months of this year overbooked, all of us staying up until 3am trying to hit deadlines – no good. It’s hard to turn down fun looking projects and like-minded clients, so it’s a struggle to maintain a reasonable workload sometimes.

10. What are your plans for Aeolidia in the future-are there any exciting new projects in the works?

Right now, we’re just trying to slow down and stick to what we know during my maternity break, so you’ll have to stay tuned for excitement in the future!

Interview with Pixie Chicago

Saturday, August 14, 2010

by Jessika Hepburn, O Happy Day Handmade

Pixie Chicago is a new Chicago based company specializing in beautiful handmade paper designs such as cards, invitations and personalized stationery. In this interview Pixie Chicago’s owner/designer, Cassie, shares some thoughts on quitting her day job to do what she loves and the inspiration behind her designs.

1. Please share a bit about yourself and your work with our readers

I was born and raised in the Chicagoland area and just absolutely love it here.  I attended art college in the city which was amazing because all of the museums and culture surrounding me. When you live in a city like Chicago inspiration for designing is all around you.

My goal with Pixie Chicago is to remind people how intimate and wonderful a thoughtful card or note can be. I want to bring back the personalized touch of a simple piece of mail, whether it be a handwritten thank you note or an exquisitely crafted special occasion invitation.

2. Pixie Chicago creates beautiful paper goods- how did you come to the decision to launch a handmade stationery company?

I started my career off designing for an advertising agency with big clients like P&G and Miller Lite. I created stationery and invitations for friends and family on the side and started to work up quite a portfolio of work and thought it would be a great idea to create a website to sell my designs.  It took about a year for me to realize that if I wanted to do this I would have to be 100% devoted, so I quit my ad job and PixieChicago.com was born.

3. You have recently launched a new website and there is mention of letterpress cards in the works, what else do you have planned for Pixie Chicago in the future?

Letterpress is DEFINITELY in the near future, I recently took a letterpress class at Columbia College and am now ready to begin the process. I especially can’t wait to work on something people may not know I do, wedding invitations.  Right now they are completely custom and made to order, but I think once I get a strong portfolio of wedding invitations I will create a sister site to Pixie to specialize in weddings. Also, I have already received lots of interest about selling some of my cards as art prints. I think it is important for companies to keep adding new items to their inventory so consumers will keep coming to their site. No one likes to go to their favorite clothing store and see last year’s trends, right?

4. How do you market and promote Pixie Chicago (website, ads, Etsy, in-stores etc)?

I started Pixie on Etsy but have not had much luck with sales there, PixieChicago.com generates most of my sales with the help of friends, family, and social networking spreading the word.  Since I am new, I just started to market to stores around the Chicagoland area and most seemed very interested, which is exciting! I also have reached out to a few different websites about either selling Pixie cards or having me design for them. So stay tuned!

5. What inspires your designs, do you have a favourite colour palette/style?

I thank my guilty pleasure, shopping, for about 75% of my creative designs. The latest clothing trends can often be reflected in other designs that you see during that time period, such as household decorations, colors, accessories, etc. A perfect example of this is the 1970’s, the shaggy bright lime green and orange carpets definitely reflected the clothing style of that era.

So when I browse through websites for clothes & accessories, I often find myself creating an outfit and being inspired by the colors and shapes which can translate into a design on paper. When I truly am inspired I will make a little storyboard of my inspiration along with the final design (see the inspiration for Birds on Branches above).  It is easy to design items for yourself and your friends, but it is important to stay focused on what is selling in the marketplace.

6. Do you have any advice to share with other handmade stationery designers?

Hard work will pay off.  My mother drilled this in me as a child and I truly believe in it. Somedays I am feeling lost and orders are slow but as soon as I snap out of that groove and get back to working and promoting things pick up. It is easy to get down about your work not selling, just be sure that you are marketing your product to the right people and you stay on top of it, orders will start to roll in. It is hard to start your own company, way harder than I expected, but at the end of the day I know I am as successful as the work I put into it.

You can find and purchase Pixie Chicago’s designs at PixieChicago.com or on Etsy, learn more about the business on the Pixie Chicago blog.

Interview: with Helen Acraman of ZukZuk

Sunday, August 8, 2010

“Into the Sun” Limited Edition ZukZuk Print

by Jessika Hepburn, O Happy Day Handmade

The most remarkable thing about editing OMHG is the chance to connect with and promote some of my favourite artists, crafters and business owners. I am so excited and honoured to offer our readers this lovely interview with Canada-based artist, Helen Acraman of  ZukZuk. I love the gentle sweetness of the work featured on her Etsy site, I literally feel my heart filling up until it feels too big to fit in my chest when I look at some of her images.  I want a print for every room, little reminders to live joyfully. Despite the light hearted subject matter there is a depth to her art that inspires me and her use of colour and texture is unique and beautiful. I would love to see fabric/textiles and children’s picture books featuring her designs. If you are as enamoured with her art as I am be sure to come back next Sunday, August 15 for an Oh My Handmade ZukZuk giveaway!

"Bear Hug" & "Magic Moss Bears" Limited Edition ZukZuk print

My name is Helen Acraman, I’m 35 years old and have two homes; the one I came from 9 years ago (New Zealand) and my current one, multicultural Toronto in Canada.

2. Your illustrations are full of grace, whimsy and colour-what inspires you as an artist?

I wouldn’t say that the art you see in my Etsy store (bears, birds and such) is a full representation of my inner world as an artist but it’s certainly a projection of part of me. I go about life in a pretty optimistic, I would even say joyful way and I see and feel a lot of beauty in things around me. My happiness and the love I feel for my son, Isaac 5 years, is part of what inspires my current work and his presence and antics give me an excuse to indulge my own childlike behaviour!

3.How do you balance the need to create with the demands of parenting?

It’s kinda sucky. I find it difficult. As an artistic person I just want to be alone doing my creative thing be that music or art. I know some people are able to create in a rather regimented, disciplined manner but I am not one of those persons. In an ideal world I’d certainly be a more prolific artist than what I am right now but that would demand way more headspace than I get these days.

4. What does an average work day look like in your house (eg. routine, hours etc). Do you work from home or do you also have a “day job” in addition to parenting?

I am lucky right now in that the only “work” I do in addition to parenting and managing a house is my music and art. My son is at school for a few hours in the morning so that is usually when I attend to art, email/businessy stuff. Afternoons and early evening is all about my son and then I get another window in the evening after he has gone to bed to do music. These days there isn’t any time to watch T.V., I kinda like it that way!

"Masked Bear" Limited Edition ZukZuk print

5. What is your studio/workspace like (if you have one)?

Ha! Right now my world is in transition as we are due to move house so everything is catastrophic and there is no real studio/workspace. I am looking forward to setting up in my new house. It is my desire to create a work space with intention this time round as I haven’t done so well with this in the past oftentimes creating on the kitchen table, in areas with not really enough space or organisation etc.

6. Are there any artists/designers, past & present that you are influenced/inspired by?

Some of my favourite artists are Basquiat, Klee, McCahon, Miro and Gretchen Albrecht.

7. Where do you sell your work-online, in stores (which ones)?

I haven’t been super proactive in marketing myself. I sell through on-line stores like Etsy, Little Paper Planes and Polka Dot Moose and a few physical stores – Canteen, Red Door Gallery, and White Elephant.

"Jelly Bean Birds" Limited Edition ZukZuk print

8. How do you market and promote your business?

Gulp, this interview is really exposing me to myself! Again, I haven’t been particularly proactive in this area either! Everybody seems to be watching Etsy so pretty much every opportunity has fallen into my lap by virtue of my having a presence there.

9. Do you have any new projects/products/exciting opportunities in the works?

I’m trying to open an espresso bar with a friend, does that count? I’d really like to work on a line of kids clothes and I’d like to do a CD of songs for children. Later this year I’m going to be starting work on a couple of children’s books. That’s about as much excitement as I can handle at the moment.

10. A dollar from all of your Etsy sales goes to support Amnesty International and your profile mentions a love of grassroots activism. How do your political beliefs influence the art you create and the way you do business?

I love a question like this, it totally makes me sound like a serious artist which cracks me up completely. To answer the question: I’m not sure. I guess whatever you do, as you make your way through life, you are expressing your brand in a sense. Freedom is very important to me so the organisation Amnesty International is close to my heart. Living freely means heaps of things but one of those to me is being able to give and receive with ease so having a charitable aspect to my business was a no brainer. I don’t think my political beliefs influence the creation of say for instance, bears holding hands and stuff, but a while back I did go through a period where the art I created highlighted some themes that were important to me. Unfortunately affordable art about “issues” isn’t always that appealing to a big portion of the population and what I wanted to create was a successful business so I changed the art I created to what you see in my store today. Do I feel like a sell out? In a tiny sense perhaps, but as I said earlier, my art is still a projection of part of me and if that part is a whimsical, simple, childlike part so be it.

"Love Train" Limited Edition ZukZuk print

11. What are the main Do’s & Don’ts that you have learned about successfully selling handmade art?

If you have a good product, run your business graciously with enthusiasm and generosity you’re bound to do well. Know that there is plenty of room out there for your unique artistic expression and keep plugging away, momentum needs to be built in order for success to be attained!

12. Have you always been an artist or is this a new career path for you? What kind of work have you done in the past?

Crikey, I’ve done so many things… This is a new career path for me. It’s taken me all this time to finally own up to the fact that I consider myself an artistic person first and foremost. I’m really happy that I’ve come to this realization.

"We Are Strong" Limited Edition ZukZuk print

13. My favourite print of yours is the powerful “We are Strong” image (above). Can you tell OMHG a bit about this picture and the process of creating it?

This image was created as part of a colouring book project where the theme was “We are Strong” and we had to come up with our interpretation for that theme. As a mother the strength of emotion I have for my child is in my face pretty much all day long though it certainly doesn’t make me feel strong all the time – a lot of the time it makes me feel pretty freaking vulnerable. I like that thing someone said that compares having a child to having your heart walking around outside your body. Love is certainly strength though and its full power is daunting especially when it is uncontaminated by fear.

You can view more of Helen’s original art on her Etsy site and learn more about her by visiting the ZukZuk blog.

Interview: Catherine Choi of So Young Mother

Wednesday, July 14, 2010

by Nicole Morell of Honeybunch

An interview with Catherine Choi, owner of So Young Mother, a lovely collection of diaper, travel, lunch and cooler bags. Catherine is based in Toronto.

What was your first product in the SYM range? What was the process of bringing it to market?

My first product was the Emily diaper bag. It took almost three years to bring it to market (working on it part-time). As with many mom-entrepreneurs, I had the idea for a diaper bag without having any sort of business background in manufacturing. The strength of my business lies in networking and talking to as many people as possible. Everyone knows someone who knows someone. I was first led to a sample bag maker in Montreal, then to manufacturing contacts in Canada, and, eventually overseas.

Originally you planned to manufacture your bags in Canada, but ultimately ended up having them made for you overseas. What can you tell us about that experience? We’ve all read cautionary tales about the risks of working with foreign factories – it must have been a huge leap of faith.

My original concept was a Made In Canada product but that quickly became a pipe dream as I learned about the prohibitive costs of manufacturing here. I took my sample to different manufacturers here and was told over and over that it would cost too much and that the tools required to make my product (which was very complicated) were not readily available. So I sampled in China for a year and a half with five different manufacturers before I found the right one – or so I thought. After I finally got a sample that was acceptable, I put in my production order and two months later received an entire production run of downgraded product based on an unapproved sample. I was beside myself and thought it was the end. But, lucky for me, my intermediary took responsibility for the production run and had it rerun at his cost- unheard of! One of the many miracles that have happened in the process of starting my business. Lesson learned: always hire an external agent to conduct a thorough inspection before anything is sent to you. Or, better yet, go yourself, which is what I eventually did.

How did you finance your business?

Most of the capital investment in my business has been financed personally but I also completed the SEB (self-employment benefits program), which allowed me to earn an extra year of EI in order to work on my business. Most of that money went towards childcare so I could work on my business.

Did you sell direct to consumers or dive right into wholesale?

I sell both direct to consumers as well as wholesale.

How did you market your diaper bag? Did you have an Etsy site?

I market my diaper bags and lunch boxes mainly through PR and some social media. Luckily, my new product line of lunch boxes and cooler bags seems to be a big hit so right now we’re riding the media wave. I also do some contests and giveaways, and some targeted ads directed towards retailers.

What market feedback did you glean from your experience promoting the bags?

Well, the market feedback I received from my Emily bag was discouraging. While people liked the bag, it appealed to a very narrow market for the style and price point. I couldn’t find a sales rep to carry it, and it was moving slowly in retail stores. It just didn’t have enough appeal to stand out from all the other diaper bags in the market at that price. As hard as it was, I talked to sales reps and retailers about what kind of bag they thought had the most appeal, what kind of features it should have, what was the ideal price point etc. I also realized that I needed more than one product in my line and varying price points. So I designed the unisex Charlie bag (which is an AMAZING bag) and then had the idea to do the lunch boxes when I realized that I couldn’t find a decent one for my kids. So I would have to say that when the market told me that my first product was not so fabulous after all, it forced me to rethink and reassess my whole business.

I remember chatting with you in my store last year and you mentioned having to make a decision to either pack it in or go for it. What was the “decision tree” (in MBA-speak) for you?

It was the opposite of a MBA process decision. In my heart of hearts, I knew I couldn’t give up just yet. I knew I had to give it another go. But if the second round of products weren’t a hit, cash flow issues would have forced me to give up. But who really knows? I do believe where there’s a will, there’s a way.

You’ve had major success with your next product, the lunch bags. Tell us about them and tell us about the development process – what did you do differently from the first time?

Well, I was much more experienced in dealing with China at this point, so the process was a lot quicker. The major difference was having technical specifications made to send to China – this sped up the process a great deal. And I also understood that “tweaking” my samples and making just one more change to them was endless and very dangerous in terms of meeting timelines. A small change to a product could mean the difference between having products for your season or not.

What has made the biggest difference to your business?

Networking has been critical to my business. I love to meet other entrepreneurs and hear their stories and share experiences. And we all help each other. This has been one of the greatest rewards of becoming an entrepreneur.

How do you market your company now?

I now have sales representation across Canada and will be participating in my first trade show in the US at the end of this month – very exciting!

Future plans?

We will be available in US retail stores in August and have had interest from Europe, the UK and Australia! One at a time. The plan is to continually strengthen the brand and increase distribution but not too quickly.

I often remind myself that the whole purpose in starting the business was to be able to have a flexible schedule for my family and to be able to be with my kids as much as possible. But it was also to have a job that I loved, and I must say, on most days, I absolutely love what I do and feel so lucky that I get to do this.

The ins & outs of working with a sales rep

Monday, May 10, 2010

by Nicole Morell of Honeybunch

working with a sales repYou’ve created a product, built a website, had a few sales and now you’re looking to get your product into some stores and really grow your business. So you send a bunch of email queries or maybe you visit some of your favourite stores in town and make your pitch to the manager. If you’re lucky you might have a few nibbles. But chances are, whether cold-calling gives you the chills or whether you could sell ice to Eskimos, you realize that there has to be a better way of getting in front of buyers and owners. Happily, there is: a sales rep.

Unlike distributors who buy your product outright (typically for 30% of your wholesale price), and then resell it to retailers, a sales rep buys nothing from you. Armed with product samples (to demo, not give away), sell sheets, merchandising ideas and anecdotal info on how the product is selling in other stores, a sales rep sells your product to the stores for you. A sales rep takes the sales function off your plate so you can focus on design, shipping and marketing. (read more…)

Interview: Kelly Douglas of Itzy Ritzy

Tuesday, May 4, 2010

by Sara Tams of sarah + abraham

I was in Stacy Amoo-Mensah’s beautiful design studio recently (oohing and ahhing at everything, of course!), and I noticed some printouts of a few of the fabric designs that she created exclusively for a local company, Itzy Ritzy (the fabrics will be available on their products sometime this summer).

I had heard of Itzy Ritzy through Daily Candy and was curious to find out more about the company and the steps that co-owner Kelly Douglas is taking to grow the business.

Kelly with her family

Tell us a little bit about yourself and Itzy Ritzy.

I’m a mother to two sweet little girls and the co-CEO of Itzy Ritzy. I grew up in Naperville (a suburb of Chicago) and then went to Vanderbilt University in Nashville where I majored in Economics.

After graduation I moved to New York City where I worked for Anderson Consulting /Accenture as an IT consultant and met my husband, Brian.

Following a handful of job changes and moves, we were pregnant with our second daughter and decided to fulfill our entrepreneurial dreams and focus on finding a business to buy.

(read more…)

Time line: sarah + abraham

Thursday, April 29, 2010

by Sara Tams of sarah + abraham

photo by Summer Knobloch Photography

Last month Stacy Amoo-Mensah shared a time line showing how she went from a kindergarten teacher to a graphic designer. Someone on Formspring asked if all of the contributors could do the same. This is one of my favorite topics, so I’m happy to go next!

At the beginning of 2007 I’d been a stay-at-home-mom for four years (my kids were two and four). I was so happy to be home with them, but I also wanted to find something to do that would be a creative outlet and intellectually challenging. I had an idea to start an online business selling religious-themed children’s artwork designed in a clean, modern style.  I created a few designs, and then I forgot about the idea for several months.

In July I returned to the idea, created some more designs and began working on a business plan. In October my husband had an opportunity to leave his corporate career to work for a political think tank.  It would provide him with great experience in the field that he really wanted to get into but also came with a huge pay cut. I started to wonder if I could earn enough from sarah + abraham to make up the difference. We didn’t realize this at the time, but that pay cut turned out to be a huge blessing.  Without it, I don’t know if I ever would have put enough energy into sarah + abraham to make it a reality.

Here’s the rest of my story in a time line format… (read more…)

Hosting a Handmade Open House

Tuesday, April 27, 2010

by Sara Tams of sarah + abraham

Oh my! A house full of handmade and vintage goodness!

My friend Emily O’Donnell is amazing – she’s so full of grace and style. In December, and again last week, she opened up her home to host a handmade craft show, inviting neighbors and women from her church to display their handmade goods and shop.

In December I displayed some sarah + abraham items and really enjoyed meeting other local crafters. This time I was excited to share the event with OMHG readers. Emily graciously agreed to let me take lots of pictures and answered my questions about the event. Thank you, Emily! (read more…)

Interview: Jennifer Playford of Furochic

Tuesday, April 13, 2010

by Nicole Morell of Honeybunch

Jennifer Playford is a Victoria-based commercial illustrator and serial entrepreneur. Her illustration work has been licensed by Mudpuppy, Cosmo Girl, Coca Cola, the LA Times, Klutz Publishing and Random House – to name just a few. In addition to her regular gig creating fabulous illustrations, Jenn is also the owner of Furochic, a line of Japanese-inspired fabric gift wrap, and the author of the gorgeous book Wrapagami.

Jenn sits down with us this month to share her experiences as an entrepreneur who never quits. (read more…)

Interview: Kate Rosenthal of Stubby Pencil Studio

Monday, April 5, 2010

by Sara Tams of sarah + abraham

I first came across Stubby Pencil Studio a couple of months ago in my quest to find the best handmade children’s items on the web to feature in the OMHG shopping guide. I immediately fell in love with the clean, easy-to-navigate website design and fresh illustrations (it came as no surprise when I discovered that the site had been designed by Aeolidia!)

The products themselves are equally delightful… a wide selection of eco-friendly goods at an affordable price including do-it-yourself stationery products for young children, craft supplies, sketchbooks, gifts, toys, games, books, and many other fun and creative products for kids.

I had so many questions I wanted to ask the owner, Kate, and she was happy to oblige… (read more…)